...gets a THUMBS DOWN from Meredith (he said meta-ironically through a poorly framed and out-of-focus digital picture he'd carelessly shot from the hip).
Later on that night, they had some kind of art show where they kept projecting huge illustrations of people on the wall. Then, a bunch of people we know started coming up. Like Leigh! Haha. They'd show a drawing of the person...
The opening was totally mobbed. (But apparently Ryan's shows keep getting bigger and bigger. Exactly two years later, in March 2010, Ryan just had the opening for his new show at the same gallery and it was so crowded that they had to call the fire department. Check out this photo of the crowd filling the street outside the gallery! Insanity.)
...and it featured photographs from the summer Ryan spent in a van driving around the country with a bunch of kids, getting naked, running all over beautiful landscapes and taking photos of them celebrating their youth. I loved 'em.
...and we all marveled at "Heart of the Cajuns" painting that Siege's agent had given him of an old family photo of Siege with his mom and little brother.
Later that night after work, I went to the opening of Katie & Ellen's show in the East Village. A bunch of the pieces there were collaborations between Ellen and Katie and there were a bunch of a familiar faces...
And then on Sunday, I Paul invited me out again to check out the "Beautiful Losers" art exhibit at one of the local SF museums. I asked him for the address and he was like "Oh, it's on Mission and 3rd St." I was like "Oh, new place is 2 streets over and 13 blocks away - so I'll walk over and see you in like 15 minutes." Yeah, too bad that's an estimate based on the size of city blocks in NYC - turns out that "blocks" in SF are like a 1/4 each and so it ended up taking me just about an hour to get there. Hahaha. Doh.
A few of Emilie Elizabeth's photos made it into the highly competitive Parson's senior show so on Tuesday night I went over to the Westside to check it out. (There's a naked chick in the one on the left! Naked I tell you!)
After Lee's gallery, we went across the museum and check out Roger Hior's work - he takes metal objects (like this BMW 7-Series engine) and dips them in a copper-sulfate bath
...but then I got caught taking sneaky pics and I had to put my camera away. Her most recent sculpture is some of the most beautiful, striking art I've ever seen and I the exhibit completely overwhelmed. I think I heard that this entire 150+ piece show is coming to New York City this summer - if it does, you should go see it.
On Friday morning, Jordana (who is a painter) took me to the Hammer Museum to see Lee Bontecou's "Retrospective." Here's a cool, drippy permanent installation in the museum's lobby.
I managed to capture a few pics of these scultpures from the mid-seventies, where she was going through a period of creating all these crazy, Egyptian scarab beetle-like scultures...
These pics are all sorta shitty and totally don't do her work justice - they're absolutely striking in person. (You're not supposed to take pics in the museam and I was forced to snap all these ninja style when the guards weren't looking.) Anyway, towards the end of the 60s, Lee started moving away from the scary-looking scultures that she was known for and started more organic flower-like sculptures that were met with tepid critical reactions. So in the early 70s she stopped exhibiting and pretty much dropped out of the art scene. Well it turns out she's spent the last thirty years working and all of the stuff she'd been working on (that nobody's seen until just recently) is completely amazing.
I love going to museums, but enjoy them infinitely more if I'm there with someone who knows alot about what we're seeing and can contextualize it for me. Jordana is one of those people.